In Episode 2, with Miss Audrey (Sarah Lancashire)
about to be wed and thus depart her position as Head of Ladieswear, there is
much gossip as to who will replace her. A French business associate of Moray’s
(Emun Elliott) by the name of Clemence (Branka Katic) arrives. Once safely ensconced
in the town, she spends her time spouting some very progressive opinions and
generally setting the cat amongst the pigeons by flirting dangerously with
everyone in sight, whilst attempting to sell her own brand of fireworks. Quite
literally. Tom Weston (Ben Daniels) continues to throw his weight around at
every possible opportunity, flaunting his desires for both Clemence herself as
well as shop girl Clara (Sonya Cassidy) in the face of his equally manipulative
wife Katherine (Elaine Cassidy)’s face. Meanwhile Denise (Joanna Vanderham)
frets about Moray’s feelings for Clemence, as well as Clememce’s treatment of
Dudley (Matthew McNulty) in her business games. Disgraced but fiercely loyal former
employee Jonas (David Hayman) returns in mysterious circumstances with a
terrible fever, but quickly settles back into his old place in the store
hierarchy.
Episode 3 saw competition for Head of Ladieswear
really hot up, with Denise and Clara back at loggerheads as of old. Tom Weston
managed to become even more sinister, shouting at his admittedly rather
shrewish wife, barking orders at his young daughter and threatening to send her
away to boarding school, much to lonely Katherine’s distress. Moray and Denise
grew further apart as the extent of the Weston’s manipulative plans began to
come to light, as his fears for her safety as his lover overshadowed his professional
role as the employer of an ambitious young woman looking to get ahead. The
charming Mr Weston, not content with treating Clara and Denise as pawns, then took
it upon himself to cancel the annual staff outing, leaving it to Denise to find
ways for the staff to have a good time. Naturally, she more than rose to the
challenge.
Going back to those themes I hinted at earlier,
the first and most obvious in these two episodes was that of a woman’s right to
follow her own path, regardless of what society dictates. Clemence’s lovely
speech in which she stated that ‘when we give in to our passions, we are free’
summed this idea up rather well, as she suggested to all the female member s of
Paradise staff that they could do anything they wanted as well as, if not
better than their male counterparts. More specifically, though, this particular
theme was seen through the trope of marriage, especially in the idea of career
versus matrimony. Miss Audrey, having long battled between the two, was the
first to see the light, and to recognise that this ‘either or’ idea is fundamentally
wrong. Denise wasn’t far behind, as it became clear that Moray still treats her
almost as a child as someone to be protected. She too will have to choose one
day we’re told, as Clara retorts ‘you can have the job, but you’ll lose the man’.
Seemingly not content with being a blissfully
silly escapist drama, The Paradise has
actually begun to establish some rather clever ideas. Naturally, they’re not
totally explored to their full, dark potential and everybody’s at home happy
with a cocoa by bedtime (except the Westons) but then, what more do you want
from a Sunday evening?
At the moment, at least, The Paradise’s department store dramas are balancing the books just
right.
The
Paradise is next shown on Sunday, 8pm, BBC One.
Jen
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