
Alright there at the back? Have we still got everyone?
Granted,
we’re only at Episode 2 of ITV crime drama Broadchurch’s
second series, but I must admit I’ve found myself behaving slightly like a
fretful tour-guide this week whenever I’ve spoken to a Broadchurch viewer. Are we still all here? Are we still following?
The
answer appears to be a resounding yes so far, although don’t worry, I’ll keep
checking we haven’t accidentally left anybody in the loos.
There
was certainly a lot to take in this week, even for Broadchurch. The trial of Joe
Miller (Matthew Gravelle) kicked off in earnest, now with a full quota of
lawyers, DI Hardy (David Tennant) ramped up his mad mission to solve two crimes
at once, orchestrating a meeting between Claire (Eve Myles) and Lee Ashworth
(James D’Arcy), Mark Latimer (Andrew Buchan) continued to behave very oddly, as
did Reverend Coates (Arthur Darvill), whilst poor old Ellie (Olivia Coleman) is
still bearing the brunt of just about everyone’s anger. Oh and Beth (Jodie
Whittaker) went into labour.
So a
quiet episode, really.
Admittedly,
there was some silliness, with several reviewers astutely pointing
out the show’s ever-increasing resemblance to a soap opera. And it is, really. The
meet up between Claire and Lee was doomed from the outset, made obvious by how
many times we were told in the dialogue exactly where Alec and Ellie were both
standing, and how safe it all was. This is Broadchurch - nobody should be
taking ‘safe’ at face value anymore. The
anger aimed at Ellie continues to defy all logic, at least as far as I’m
concerned, mainly as I don’t see how anyone can bring themselves to shout at Olivia
Colman in an orange anorak. Especially when she’s had nothing to eat but ‘a
scotch egg and a Kit-Kat’. In its defence, though, it does neatly demonstrate
the atmosphere of blame and paranoia in the town.
And I
think that might be part of the reason why, despite its barmy-ness, the show is
very much still working. We’re still feeling the aftermath of Danny’s murder,
but if all the action was just inside the courtroom, it would get very boring
very quickly. So we’re seeing other things. We’re seeing the continued extraordinary
performances from Colman and Tennant in particular as their characters’
relationship strengthens further. So much so that it almost makes you wish you
could see them detective-ing together in happier times.
We’re seeing
the relationships between the legal teams, flashbacks to the Sandbrook case, a
theme of misanthropy as just about everyone is guilty of something unpleasant, lots
and lots of beautiful coastlines, a few bluebells, and then Meera Syal turned
up! Meera Syal on a bike, slapping on a judge’s wig and then basically
delivering the ‘let’s have a good, clean game’ speech a la Madam Hooch.
Brilliant, just brilliant.
For
this, arguably, is where the show’s genius really lies. Despite its primary
storyline being over, there’s still plenty going on that’s new. Amazingly, it somehow
still pushes you into having theories, still having suspicions, even though the
culprit has allegedly been caught.
For
example, I personally want to know what Mark Latimer was doing between 1 and
4am on the night in question, what on earth he’s up to hanging out with Tom
Miller (Adam Wilson) quite as much as he is, and who Sharon the lawyer
(Marianne Jean-Baptise) was talking to on the phone in the hotel.
Oh and
I wouldn’t trust the vicar as far as I could throw him, Arthur Darvill or no.
And
that’s just me. There are masses of theories and discussions going out there
and everyone’s got their own.
If it
carries on like this, it’ll have us all hooked until the very end.
Jen
@jenniferklarge
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@jenniferklarge
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