For
approximately 30 seconds this week I thought I was going to have to eat my
words about The Village. It seemed,
for a good quarter of the show at least, that things might be about to get a
little happier.
Now
the proud owners of several cows (Lord only knows how), John Middleton (John
Simm) and his young son Bert (Bill Jones) work the farm together, with Bert
taking the milk down to the station on a cart pulled by a pony they have
somehow procured. John, presumably having had a personality transplant, is
teaching his son how to box, even encouraging him to use his prohibited left
hand, whilst Grace (Maxine Peake) has a job down at a local factory. Joe (Nico
Mirallegro) has also returned home on leave, which is nice for him, Caro
Allingham (Emily Beecham) seems to have happily replaced Baby the dog with an
actual baby, and George Allingham (Augustus Prew) and Martha Lane (Charlie
Murphy) are having a lovely time tramping across the Peak District vaguely
flirting.
So
much happiness could never last though, and certainly not in this village.
Grace’s tardiness lands her in trouble at work, Joe has no time for Caro and
her mooning about, Lady Clem (Juliet Stevenson) plots against her own daughter,
and indeed just about everyone, George is desperate to prove his worth to
Martha, the cows ruin their milk by inadvertently eating garlic, we hear of a
local tragedy from the front line oh and soldiers want to take the Middleton’s
horse off to war with them. No one in The
Village has it worse this week, however, than Gerard Eyre (Matt Stokoe), a
conscientious objector and teacher at the local school. Making clear his
refusal to set aside his views and be sent off to war with the introduction of
conscription for the first time in British history, he was always going to be
in for a rough, even tragic, ride.
Stokoe
gives a heart breaking performance as the strong willed, well-meaning teacher,
particularly during his refusal to put on uniform to face tribunal. Bill Jones
also gives his best performance of the series so far as the Young Bert,
conveying the child’s desperate panic at the plight of his ally and hero.
Powerful performances were also provided this week by the returning Nico
Mirallegro as Joe, the lad about town suddenly faced with unimaginable horror
and terror, trying to keep it together whilst on leave for the sake of his little
brother, as well as Emily Beecham’s Caro, a young woman in a situation she
never expected to find herself in, rejected and judged by her own family.
Desperate
as I am to end this review on a cheerful note, I am pleased to report the
happier news that John Middleton appears to have developed a sense of humour,
and that Martha Lane is marginally less useless than she was previously, sticking
up for Grace as well as herself. Maybe things aren’t so bad after all? I’m
joking of course, they are, but it’s shaping up to me nigh on un-missable Sunday
night viewing regardless.
- Jen
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