In my
review of last week’s The Village, I
remarked, at length, upon the darkness of the series, and that it certainly didn’t seem set
to be a ‘cosy fireside drama’. And judging by this week’s episode, it isn’t
about to get any brighter.
Since
Joe’s departure for the front line, things have only really gone from bad to
worse for the Middleton family. Grace (Maxine Peake) has another baby on the
way- meaning another mouth they cannot afford to feed. Meanwhile John (John
Simm) relies on alcohol more than ever, and Bert is in perpetual trouble at
school, receiving regular corporal punishment from a teacher with not such much
a chip on his shoulder as a big gaping hole. For a change, things aren’t
actually much better up at the big house, either. Already struggling to keep their reputation in tact during wartime, Lady Clem is
devastated to discover daughter Caro is pregnant by a mystery man, quickly
crying foul play and laying the blame at the Middleton door. This is to
have potentially devastating consequences for him and his family, due to an
apparent previous conviction. Caro isn’t having a great time with all of this
either, still grieving and confused over the torture and murder of her dog,
Baby the dachshund.
So reasonably
bleak, then. It wasn’t all bad news though. At the end Grace gave birth and John
bought a cow...Also on the plus side, there were some moving performances
throughout, particularly from John Simm, who captures well the essence of a man constantly finding himself in terrible circumstances without any understanding
of what he could possibly have done to deserve them. Maxine Peake is brilliant
as the much put upon Grace, lurching between sadness and a desperate desire to
keep her family in one piece. Her reaction to John’s *spoiler alert* suicide
attempt was genuinely affecting. Young Bert Middleton (Bill Jones) is coming
along a treat as well, particularly in his relationships with both the other
boys at school and with his tyrannical teacher. Juliet Stevenson is great as the haughty
Clem Allingham, but I think that one’s sort of a given.
In
fact all of the characters seem to be developing well as we find out more about
them, and as we settle in to this depiction of village life. We’re learning more
and more about how things worked in that time week by week, and as a result it is actually becoming
progressively more uncomfortable to watch the villagers have to turn and face
the wall when the Lord and Lady arrive/do anything/are spotted half a mile away
sneezing delicately into a handkerchief, because know they're no better than the rest of them. The only character
writer Peter Moffat (I don’t know if there’s any relation) doesn’t seem to know
what to do with, is Martha Lane (Charlie Murphy). He clearly wanted her to fill
the shoes of educated feisty suffragette, and there is a good deal of potential
for her to be exactly that, but it isn’t going to work out so well if she
carries on storming into places, making a couple of half-arsed speeches, then
storming out again in a sulk two minutes later when it becomes clear that no
one actually gives a monkey’s.
Nevertheless,
this is shaping up to be a strong series, dealing with the passing of time in a
compact and not all that confusing way. Which can be rare. I just can’t help
but wish something nice would happen to someone. Just once. Like maybe they get
a free sponge cake or something, or go for a nice walk. Anything.
I’ll
let you know- but I don’t think I’ll be holding my breath.
The
Village is next on tonight, BBC One, 9pm.
- Jen
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