TV REVIEW: Sherlock - His Last Vow

It's been one week since the swishy-coated detective and partner last graced our screens and we're all missing him already. In lieu of a full, in-depth review, we have decided to take you through our conversation following last week's finale, a glimpse at our thoughts if you will. As ever, there are spoilers (and if you have avoided any until now, please accept a generous round of applause).

Becky: If people were worried that Sherlock was becoming too light and fluffy, then surely they must have had their fears eased with this deliciously dark episode, as twisty turny as a twisty turny thing. There were plenty of things I sort of expected (Mary) and plenty of things I didn't (yes, Jim, I did miss you). But overall, what struck me most about this episode was how well the first two in the series built up to it. The time taken to really cement the relationship between John and Sherlock, as well as the addition of Mary, ensured that the second any one of them found themselves in jeopardy, I was a bit of a wreck. 

Jen: Personally I always enjoy a little bit of light and fluffy, but I do understand that this isn't necessarily what one would traditionally either expect or want from a modern re-imagining of a classic detective drama about a clever man incapable of normal social interaction, so in that sense this final episode did rather bring us back on track. Albeit at the eleventh hour. Totally agree about the development of Mary and John's relationship, although I have to admit I was just the teensiest bit disappointed that she didn't go totally rogue and become the villain of the series. But maybe I have just have a dark imagination? Speaking of both dark imaginations and villains, beyond delighted to see the return of Moriarty. He's my favourite, ever.

B: I'm fairly certain that it won't be Moriarty we see back though. Sherlock's resurrection (however it happened) was no mean feat and I'm not sure even Moffat and Gatiss could make lightening strike twice. Perhaps a mastermind using Moriarty to bring Sherlock back into the fold? Speaking of masterminds, how damn cool was Charles Augustus Magnusson? Talk about your skincrawlingly dastardly villain. I'm honestly not sure which was worse; the licking of the face or the flicking of the face? I would have loved to have seen more of him, he was wonderfully intimidating and seemed like such a good foil for Sherlock. I loved that they each had their own version of a mind palace but used them in ways befitting their status.

J: It will be Moriarty, Becky. It will. That is what I am telling and myself and will continue to do so. Agree that lightning doesn't usually strike twice, however I think now that they've brought Sherlock himself back to life, almost anything could happen. Didn't Moriarty keep popping back to life in the books or have I misremembered that? Magnusson was indeed creepy. He was just so rude! That was the main thing I took away from him. Also, that I would like a mind palace. I LOVED the parts when Sherlock was dead, and re-living all the useful bits of information from previous conversations and scenes. 

B: Moriarty dies at the Reichenbach Falls so there's no real precedent for bringing him back. 

Yes the mind palace with Sherlock was such a great piece of film-making, not only dramatically, but technically too; it worked just as well as the onscreen graphics for Sherlock's deducting. I also loved how he used people around him and it added another dimension to the character. He may not be able to show how much he admires them very well in reality, but they all occupy a special place in his head ready to save his life when he needs them. That being said, he also managed to re-assert his utter bastard status with poor Janine. I did that horrible nervous  laugh when he proposed through the camera with that terrifying grin.

J: Is the fact that I love him not enough of a reason? But yes fair enough.

I actually really liked Janine, I particularly enjoyed the way she got her own back on him with her kiss and tell stories to the press, and the way Sherlock reacted to it with something not unlike admiration. I much preferred her to The Woman, in fact I'd quite like to see her again, but I'm not too sure we will. Definitely a great character episode all in all, with a bit more in the way of a sleuth plot than we've seen recently. 

B: I did like that final scene with Janine, the pair had a really nice chemistry. And yes, the character beats worked very well along side the sleuthy aspect. Martin Freeman in particular has been just fantastic this series and broke my heart on more than one occasion. Cumberbatch does get the more demonstrative role, but Freeman puts in a hell of a lot of work as the more reserved half and their relationship felt so much deeper this series than it has I think before, primarily because we have spent so much time with them for the first couple of episodes.

Final verdicts then?

J: Final verdicts, hmm. I think a strong and satisfying end to a great series, one which really stretched the characters and took the show to new emotional levels. My prevailing thought however, is that yes, I did miss Jim, and I think Sherlock did, too. 

B: If it is him (and I'm still not so sure), then it's going to have to be one hell of an explanation to bring him back. But yes, I agree, it's been a different series to the previous too, no doubt, but it's moved everything in a very interesting direction and I can't wait to see what happens next.

- Jen and Becky

You can read Jen's review of The Sign of Three here and Becky's look at The Empty Hearse here.

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TV REVIEW: Sherlock - The Sign of Three

Do you want the good news or the bad news first? Bad, right. Well the bad news is that, currently resting on the far side of episode 2 as we are, we only have one episode in the current series of Sherlock left. I know, I can’t believe it either. The good news though, is that if episode 3 is even half as good as episode 2, it’ll be an absolute corker.

The Sign of Three saw Sherlock (Benedict Cumberbatch) face a case he never thought possible- the curious case of the unwritten best man’s speech. Having sort of proposed to Mary (Amanda Abbington) in the previous episode, albeit dramatically diverted at the time by the re-appearance of his supposedly dead best friend, John Watson (Martin Freeman)’s wedding day has now arrived. This has left a desperate Sherlock in the tricky situation of having to not only write an entire speech in which he must emotionally connect with a room full of tissue ready wedding guests, but, crucially, this is a situation in which he must act normal, and not like a ‘high functioning sociopath’ for an entire day. Premise established, the episode proceeds to use said speech as a vehicle for well -timed flashbacks on the adventures of groom and best man, from the stag do to an invisible man to a womanising ghost. As the speech trundles on, taking us from laughter to tears in minutes, so too do the stories of the different cases, until Sherlock’s dramatic and somewhat inevitable conclusion that a crime, a murder no less, has been planned for this very day, in this very room.

For now, however, back to the speech. Despite the fact that the speech itself transpired to be nothing short of a masterpiece, touchingly delivered and utterly true to the relationship of the three characters involved, Sherlock’s speech making skills are met with, at best, concern. Perhaps well founded given his previous behaviour towards any member of the opposite sex John has shown an interest in. Mrs Hudson Sherlock’s long suffering landlady, played with a splendid warmth and simplicity, as ever, by Una Stubbs, finds the concept of Sherlock talking about a subject other than grisly homicide in front of so many rapt, normal people so hilarious that she can’t get passed the idea of him reading out the telegrams without breaking down in fits of laughter so over the top she sounds like a woodland bird being poked with something hot and pointy, to paraphrase. Sherlock himself isn’t entirely thrilled with the situation either, with even Watson failing to notice how ‘terrified’ the detective clearly is.

Happily, it falls to the tremendously likeable Mary to save the day, as she cunningly plays the boys off against each other in order for them both to be re-assured that the wedding, and indeed life after it will all end happily, with both feeling all the while feeling comfortably superior that they are doing the other one a favour. A woman who can outsmart Sherlock and Watson to boot without having to take her dressing gown off? Nice. Very nice. In fact nice is exactly what Mary is. As I said a moment ago she really is very likeable. Not so much fortuitous as utterly crucial to the longevity of the series, the success of her character has clearly been meticulously discussed and planned to the nth degree. The requirements were probably something along the lines of, firstly, a character strong enough to hold her own when talking to the infamous sociopath as well as being a person in her own right, and finally not to mention somebody John Watson would want to marry. That’s a lot to achieve in the form of just one fiancée. Fortunately, the writing team, and indeed Amanda Abbington herself, more than achieve this.

I think it’s fair to say that her real life marriage to Martin Freeman goes some way towards making their on screen relationship work, too. The two have a warmth, ease and sense of fun about them on screen through which they manage to create that rare thing in TV partnerships – actual genuine seeming chemistry. Given how hand and glove-like Cumberbatch and Freeman’s performances fit each other, the latter’s relationship with his now wife really had to be absolutely spot on in order to have a chance at working. A fantastic performance here, too from Benedict Cumberbatch, who, whilst allowing us to see a more fragile, silly and ultimately more human side of the socially awkward sleuth remained 100% true to the man himself, even in this most uncharacteristic of situations.

The more detective-like elements of the episode were down played in favour of Sherlock’s old enemy, ‘sentiment’, which may well have angered some die-hard puzzle-solving fans, but for me there was just the right amount of background mystery and intrigue. It was as fascinating and mind-boggling as ever, but didn’t get in the way of either the hilarity of the stag-do flashbacks, in which we were treated to the rare and totally brilliant sight of a drunken Sherlock, nor the poignancy of the day itself and Sherlock’s heart felt congratulations and tributes to the happy couple.

It was the perfect, perfect mix of jokes, tears, laughter and excitement.  Just any wedding speech should be – although most don’t wind up with an attempted murder.

But then, that’s what you get when you pick Sherlock Holmes as your best man.

Jen

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